REDWATER
Named the 2002 best book of the Southwest by the Tucson Book Review, Red Water was also chosen as one of the 100 Best Books of that year by the Los Angeles Times Book Review. It won the Utah Book Award, and was short listed for the Mountain and Plains Bookseller Award, and was widely reviewed and praised.
On September 11, 1857, a group of 120 emigrants en route to California was attacked and slaughtered by Mormon settlers and their Indian allies. The lives of seventeen children under the age of seven were spared. Twenty years later, John D. Lee, a Mormon polygamist and a participant in the massacre, was executed by a firing squad at the same spot and thus entered history as the scapegoat for all those responsible for what came to be known as the Mountain Meadows Massacre.
Red Water is the story of the life of John D. Lee as told by three
of his nineteen wives: Emma, a young English convert to the faith whom he
met shortly after the event; Ann, thirteen years old and the last wife he
married; and Rachel, the sister of one of his first wives, who became perhaps
his most devoted wife. As each of these women speaks, a portrait of a complex
and ambitious, generous and tortured man emerges. Each of Lee’s wives possessed
an independent spirit and yet each was mesmerized by him---a member of Brigham
Young’s inner circle, a resourceful frontiersman, a proselytizer, a man
of appetite and charisma. Red Water is a novel that gives us an
immediate, dramatic, and insightful depiction of early Mormon belief; the
sense of persecution felt by the Mormons; the steadfast adherence of sisters
in marriage; and the devastation felt by Lee’s family at his death. Above
all, Red Water offers a deeply moving, emotionally resonant portrait of
how Ann, Rachel, and Emma each understood the intersecting forces of faith
and love, one which also brings to life the hauntingly beautiful red rock
country of Southern Utah.
James Welch said that Red Water “will take you into a territory and
culture that will haunt you long after the last page is turned.”
Pam Houston called Red Water “brave, willful, beautiful, entirely unique,
unceasingly complicated, and remarkably fair.”
Diane Johnson said, “I found Red Water strong and fascinating. Judith
Freeman has found a brilliant way of telling this strange story.”
A DESERT OF PURE FEELING
A Desert of Pure Feeling is a haunting novel of passion and renunciation.
Twenty-five years after she lost him, Lucy Patterson encounters Dr. Carlos
Cabrera, the man who saved her son’s life and wrenched her own life onto
a violent new trajectory. Now Lucy has sought refuge in an isolated motel
outside Las Vegas, hoping to make sense of the past that has finally caught
up with her. But in the next room the present is calling in the person of
a young woman---a single mother, stripper, and prostitute---who is as needy
and troubled as Lucy herself once was. What ensures---between these two
women and between Lucy and the ghosts of her former life---makes A Desert
of Pure Feeling as wise as it is poignant, a powerful exploration of what
it means to be a lover, a mother, an artist, and a friend.
The Los Angeles Times called the author, “A spare and elegiac melody master who accurately captures the heart and heartache of the modern romantic dilemma…Freeman’s eye is mesmerizing and merciless.”
Terry Tempest Williams said: “Freeman writes with an authority that can only be earned through solitude. A Desert of Pure Feeling honors the interior spaces of the human heart.”rt l1
THE CHINCHILLA FARM
The Chinchilla Farm was Judith Freeman’s first novel. The New
York Times called The Chinchilla Farm “a remarkable first novel.
. . an almost Tolstoyian insight into the human plight” and went on
to say “Judith Freeman has written a beautiful book.”
The Chinchilla
Farm tells the story of Verna Flake. Raised a Mormon in a small town
in Utah, and married to a stiflingly conventional adulterer, Verna has gotten
tired of pretending. So she heads for Los Angeles, where people have the
freedom to find themselves over and over again. There she connects with
a woman from her past, and agrees to drive her to Mexico where a violent
episode ensues. In this lyrical and keenly observant novel Judith Freeman
captures the solitude, the dislocation, and the offbeat optimism of the
American West in a way that raises comparison with Louise Erdrich.
The Chinchilla Farm was widely praised when it came out in 1989,
and has not been out of print since. In The Nation, Pagan Kennedy wrote,
“The Chinchilla Farm is a tremendous coup for a first novel, for any novel.
Freeman reintroduces us to an America of transcendental landscapes, cultures
like forgotten flowers, and festive, fierce cities.”
Diane Johnson, writing in the New York Review of Books, called Freeman’s first book an “elegiac novel” and said that the narrator Verna Flake was “a rare creature, a reliable female narrator, whose preoccupations are with what she sees and learns about the world instead of with the resolution of her own story.”
The New Yorker said of The Chinchilla Farm: “Incidental to this novel is a plenitude of facts more wonderful than fiction…lyrical but tough-minded…extraordinary.”
And from Ursula K. Le Guin: “Under the plain honesty and generosity of Judith Freeman’s writing is a delicate and impressive artistic strength. I read THE CHINCHILLA FARM right through as a fascinating story, but…it lingers in my mind as a true journey through the desert of the West and of the soul.”
Judith Freeman’s story collection, FAMILY ATTRACTIONS (Viking 1988) and her second novel, SET FOR LIFE (W.W. Norton 1991) are now out of print but can be found through second-hand sources.